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“Nesbitt channels the lyricism of James Crumley, the twisted kick of Jim Thompson, and the cold, dark heart of Mickey Spillane.” – Jayne Loader, author of Wild America
“If Chandler’s noir was a neon sign in the LA sunset, Nesbitt’s noir is the Shiner Bock sign buzzing outside the last honk-tonk you’ll hit before the long drive to the next one. Roll down the window; it’s a hot night. It’s a fast ride.” – James Lileks, author of The Casablanca Tango
“In Burch, Nesbitt has created a more angst-ridden and bad-ass version of Michael Connelly’s Harry Bosch and a Tex-Mex landscape much meaner than the streets of LA.” –Bob Morris, Edgar Award nominated author of Baja Florida